Wednesday, July 28, 2010

An Open Letter to Joss Whedon


Dear Mr. Whedon,

I'm delighted, as is everyone, that you are directing The Avengers. We know it will be fantastic, and we can't wait.

I hope that as you make it, you will play to your real strength - love. The center of your shows is love, as you say yourself at the end of "Serenity". The ship - and the show - can't fly without it.


I don't mean romance, couples finding each other, though that can be part of it. I mean the love that moves us all to do our best to care for and safeguard our friends, our families, and our worlds. I mean the love between friends and neighbours and allies and even enemies, when it exists, and when it matters that it does not. I mean your obvious love for every single one of your characters, even the complete rotters; and the love you makes us feel for them in turn.

Love is the warm, beating heart of everything you do best. It was the heart of your masterpiece, Firefly, and of Buffy. Angel was fascinating because it explored what happens when love really isn't there, though the protagonist - whom you loved - desperately wanted it to be. It was developing in Dollhouse, through the surprising moral growth of Topher and Adelle. It's always there, in your best work. 

Sometimes you seem to think that plot or action scenes are your main strength, and what we watch you for. And don't get me wrong: you're great at those and we wouldn't enjoy your work as much if you weren't. But they aren't the point.

The fight scenes in Serenity were great, but they took up so much of center field that they took the focus away from the characters we loved in Firefly. The end of Dollhouse wrapped up the loose plot points very neatly, but it all happened so fast that again we lost something of the characters.  (Though Topher still broke my heart.)

It's a tricky balancing act. You have to have plot. You have to have action. People will complain if you don't. But I hope that while you're working on the Avengers, you remember that we can get fight scenes anywhere. Lots of people write good ones. Half the films out there today are all about the fight scenes. But those films can't do the thing you can do. They can't make us love their characters or care what happens to them. That's what you do better than anyone else.

Show us how you love the characters, and we will love them too. Eye candy and flashy fight scenes and cool plots only matter if we care about the people. Let your love for your characters be the center of the film. Make us care. And then it will be another Whedon masterpiece, and a truly great movie. 

Yours faithfully,


A devoted fan
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10 comments:

  1. Begin the arguments over "No! Buffy is his masterpiece!"

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  3. In my opinion, the reason why love tends to come up as a common underlying theme in Joss Whedon's writings is not because he "puts" it there, but rather, it is a side effect of his attempts to achieve what I would consider to be the mecca of all good storytelling - authenticity. I think that for him to be working at this or any other project with a primary interest other than that of being as authentic as possible to its specific characters and universe would be a grave error - no matter how well intentioned - and would stand to ruin the project's chance of ever achieving the level of authenticity that is what ultimately makes his works so enjoyable.

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  4. I love what you say. I can only trust that Joss will do what he does best.

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  5. @brinderwalt - I agree. I think the authenticity springs from love - his love for his characters enables him or causes him to look at them honestly, carefully, and "in the round", so that there are very few characters in any Whedon show who are there only as a foil to some other character, or only to enable the plot. That's a surprisingly rare quality, and it's what makes everything he does stand out. We can call it authenticity if you like.

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  6. It's a flipping superhero movie. Of course it's going to be full of action. The point is that Joss can tell a story about characters through the action scenes themselves. They always tell you about the character and tell a part of the story.

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  7. I wonder which beloved character he'll kill off first?

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  8. He says Iron Man. In the pre-credit sequence. I can't wait. :)

    Of course it will be full of action, as you say, Jonny. So long as that's not the point, everything will be fine.

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  9. Right on.

    Also, Joss, can we have some more women on the team? You've never let thrilling heroics be an all-boys game before. Now's not the time to start!

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  10. @elflore - yes, i was wondering how he was going to handle that. One solution would be to make Black Widow the protagonist. I expect at least one scene in which a female lays waste to a whole roomful of men, whatever he does.

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